School of Corporeal Mime

Comments are closed.

  • Teachers
    Michele Monetta, Lina Salvatore, Nicola De Matteo and Annamaria Sapienza.
  • Two-year course, from November to April, two afternoons per week, for actors, singers, dancers, mimes, directors, and youth aged 17 to 28.
  • Corporeal teaching techniques
    Decroux, Feldenkrais and Lecoq.
  • Two-year curriculum
    Corporeal Mime, the Feldenkrais Method, Mask and Masks, Basic Fencing and Historical Fencing, Acting, Voice and Movement, Biomechanics Basics, Improvisation and Composition.
  • Schedule
    1st year: Tuesday 5:00 pm - 7:00 pm / Thursday 4:30 pm - 7:00 pm
    2nd year: Tuesday 2:30 pm - 5:00 pm / Thursday 2:30 pm - 4:30 pm
  • Location
    Club Scherma Napoli on via San Domenico, next to the Istituto Galileo Galilei; about a 10 minute walk from the Piave Circumflegrea railway stop or a 20-minute walk from the Quattro Giornate Metro stop (Line 1).
    Parking available.
  • Enrolment
    Applicants are required to book an interview by October.
    Infoline: application form

Founded in 1985, the School of Corporeal Mime coordinates three complex movement techniques: Decroux, Lecoq and Feldenkrais.

The study of corporeal mime is at the heart of this two-year programme and is based on research and corporeal grammar exercises developed by Etienne Decroux (1898 - 1991). This French Master was the brilliant founder of 20th century mime and, in part, of modern theatre. In particular, the period from1940 to 1970 was fundamental to Decrouxian research and very rewarding for his most talented students, prominent among whom were Jean-Louis Barrault, Eliane Guyon Marcel Marceau and Marise Flach.

Directors such as Antonin Artaud, Jacques Copeau, Charles Dullin, Gordon Craig and many other artists stimulated Decroux to undertake his research "ferociously" (according to Gordon Craig's definition of Decroux's method) and for decades he worked to reinvent the art of mime with a modern approach.

French master Jacques Lecoq (1921-1999) greatly contributed to spreading Mime as a fundamental technique in the training of actors. Lecoq proposed the study of ‘mimism’ (mimisme) or mimicry to indicate man's innate tendency, as recognised by Aristotle, to imitate and to discover the world through mimesis and the development of movement through the use of a mask.

The Feldenkrais Method, developed by Russian-Israeli physicist, Moshe Feldenkrais (1904-1984), allows the study of the relationships between the mind and the body, making it possible to work on the economy of effort through movement awareness.